Directed by Matt Walsh, a co-founding member of world-renowned comedy troupe Upright Citizens Brigade, High Road showcases a totally improvised script about Glenn “Fitz” Fitzgerald (James Pumphrey), a young man whose loyalties are split among his band, his girlfriend Monica(Abby Elliottt) and selling drugs. After his band breaks up, Fitz finds himself dealing drugs out of his garage and bonding with 16-year-old neighborhood kid Jimmy (Dylan O’Brien). As his former band mates (Zach Woods, Matt L. Jones, Lizzy Caplan) begin finding success and one of his drug deals goes awry, Fitz hits the road with Jimmy. Amid car chases, guns, broken bones, sassy cabbies and a suspicious doctor (Horatio Sanz), Fitz has to navigate their way to safe harbor--and he doesn’t even know about the surprise Monica has in store for him back home!
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
The 92nd Academy Awards had many strong contenders for best animated short. But which Oscar nominated short wins for diversity and inclusion?
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
