Gods of Mexico, an Artistic Triumph that Eschews Narrative
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.

New York City teenager Jo (Ana Villafañe) witnesses the gruesome murder of both her parents and is sent to rural Montana as part of the Witness Protection Program. On top of having no cell phone, email or any contact with her past life, plus hiding from a dangerous hitman out to finish her off, Jo must also deal with the drama of being the new kid in the small town's high school (www.tribute.ca).
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.