A majestic mountain range rises over a Norwegian town engulfed in darkness. The stormy sea laps at its shores. A thick snow is falling. The town’s inhabitants, almost motionless in their existence, are like creatures in hibernation. The camera’s static shots resembling photographs are woven together into an experimental documentary on life in Skaland.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
A socially conscious film that draws attention to the plight of American military veterans.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
