
Through fragments of the life of Boris and his son Matej, the film is about the conflict of generations, the gap created by the ideological coloration that one has and the other does not have. Political prisoner Boris, after spending several years in prison, returns home. After the divorce with his wife, in his apartment now live his son Matej, a grown man who is trying to earn his living as a musician, his girlfriend Mira and a hitchhiker that Matej found on the road.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
If you’ve been itching for a sign to finally go on that unforgettable summer camping trip, this is it.