Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

Max Krenke, once a promising journalist, has made himself comfortable at a third-rate newspaper; as a husband and family man, he keeps the hamster wheel of everyday life running. Until he is laid off without notice on his 45th birthday of all days.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Have a Good Trip offers a rather balanced look at psychedelic use. While its main narrative is the stories of recreational use by celebrities, it does delve into the medical history of psychedelics and its use in psychotherapy.
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.