Photographer Anna Smeets makes reportages all over the world. When her mother dies unexpectedly, she returns to her native Limburg village for the funeral. She decides to move into her mother's studio on the edge of the Galgenven and make pictures in the vein of her mother's paintings of the village and its inhabitants and the unique nature surrounding it. While Anna thus tries to regain her identity, it turns out that part of that nature will have to yield to project developers' plans. A fierce battle flares up between Anna and large landowner Hyacint de Beaumont. The village, where many people depend on him, is divided. When Anna finally seems to be all alone, she receives help from unexpected quarters. This has dramatic consequences.
Guillermo del Toro highlights a touch of innocence in the Gothic classic. The journey of Victor Frankenstein defying death gained inspiration from the Eastern energy system that is named ‘Qi’ and the lymphatic system being studied by Muslim scholars.
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.
Viola Davis is an EGOT pioneer and trailblazer advocating for diversity and opportunity in Hollywood. See the legendary actresses' rise to critical acclaim.
What makes a person different, and who is considered normal? Based on a true story, The Unbreakable Boy follows the life of Austin LeRette, a young boy with autism and osteogenesis imperfecta, as he navigates daily life with optimism and resilience.
This surprisingly clever romantic comedy perfectly balances genuine heart with wild reality television chaos. It is an uplifting and funny reminder that second chances and real community can show up exactly when you stop looking for them.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
