'EXmas' (2023)
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.

A stunning virtuoso turn from these two partners in life and art. A home movie where the library musings and theory shuffles are re-rooted in domestic space, in relationship. The tape insists that artmaking, and even the utopias it conjures, cannot be separated from the way we love, eat, or wash the dishes. It celebrates the hand-made, the make-shift, the provisional (no more monuments! unless they’re made of cardboard and felt and wool), and everywhere there is ingenious invention and a generous good humour, particularly when the artists don flesh suits and hoist a giant-sized sharpie to underline their fave utopia reading bits from the oversized texts that surround them.
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
Evan Goldman, a child of divorced parents, is planning a memorable bar mitzvah for his 13th birthday. However, middle school has a few obstacles along the way.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.