The Lovebirds: It Doesn't Soar, But It Glides
'The Lovebirds' is one of those movies that has a very direct appeal when it comes to its comedy. There isn’t a singular style, so much as tidbits of various ones here and there.

A top executive who can't bear to regard himself as a loser, even after nearly dying in the New York marathon; a woman unable to cope with the loss of her wealthy status after her divorce; and an ambitious financial couple confronted with their unresolved family matters. Every Sunday, in their upper class Bloemendaal church, the cutting sermons of reverend Ad van Nieuwpoort shake their faith and existence to the core. What drives people to be crushed by the weight of their ambitions?
'The Lovebirds' is one of those movies that has a very direct appeal when it comes to its comedy. There isn’t a singular style, so much as tidbits of various ones here and there.
'Rag Tag' encompasses the diversity within the African Diaspora by showing London Nigerian men learning to regulate their emotions while navigating love and societal pressures.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.
Disney’s first Christmas advert, ‘From Our Family to Yours’ teaches us the magic of the holidays.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.