Dead Poets Society Steals a Queer Story
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

This musical comedy stars radio star Al Pearce has a double role playing himself and Elmer Blurt, the leader of a small-town band that struggles toward stardom in the big city. Their journey begins when Elmer decides to eject their female singer because she isn't really right. Unfortunately, her angry father is their sponsor and when he finds out, he withdraws all support.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
A short hybrid film featuring everyone's favorite Disney characters.
A dynamic journey of self-acceptance and identity.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.