Grief, Fate, and Destiny in 'Wolf Like Me'
'Wolf Like Me' works if you want a show to shut off your brain while watching. If you think too much, you'll hurt yourself.

One summer evening in a small town in France, two teenage boys, Clarinet and Piano, say goodbye. For twelve years, they rejoin each other at irregular intervals in the same town, discussing their ambitions as they drift apart. Michaël Dacheux's 'Here and There' is a delicate exploration of the eager aspirations of two young men, wise beyond their years yet still innocent in their experience.
'Wolf Like Me' works if you want a show to shut off your brain while watching. If you think too much, you'll hurt yourself.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Overall this movie was an easy watch, but by no means a worthwhile watch.
While Mortals Sleep is enthralling quick-fix horror that offers thrills and excitement with such a short runtime and left me truly impressed with all levels of filmmaking.
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.