'Child of Kamiari Month' (2021)
This Japanese Anime movie is about Kanna, a young girl who sets on a quest across Japan to discover her true identity.

A newly married couple with the dream of getting a job went to outing. Husband Inkwon headed to obstetrics when Wife Bojung suddenly did virginal bloody discharge. Medical doctor recommended the hospitalization because of the danger of miscarriage. Bojung's mother, Gilja, received a warning from a supervisor who manages CCTV because she was talking over the phone with Inkwon while working in a big building. Gilja was arguing with the supervisor as she was calling to Inkwon again and headed straight to the hospital. Inkwon, who found out that he lost his wallet in the hospital, asked the hospital to cooperate after he knew about CCTV in the ceiling with Gilja. Camera was broken though a hospital employee boasted about the camera conversely and then this situation started to get twisted. But still, Bojung did the miscarriage eventually after she asked for the help alone in the ward....
This Japanese Anime movie is about Kanna, a young girl who sets on a quest across Japan to discover her true identity.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
A lonely little Hawaiian girl and her mischievous blue alien friend form a bond that heals both of their hearts, as well as ours. This live action version adds emotional nuances—notably in the sisters’ dynamic—while preserving the charm of the original.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.