'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

Jeong-cha is a sexless married man. Although he is married, he secretly likes his manager, who is the only hot spot in the company. One day, Jeong-cha discovers a strange relationship with her boss, and the manager learns that there is a secret contract between the two of them. Jeong-cha sticks around by her side to sign a contract with her manager.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
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