As Hungary’s political climate becomes increasingly radicalized, Virág, a former green politician, loses faith in the democratic parliament of Hungary and retires from politics. She and her musician partner Nóra decide to adopt a child and focus on building a family together. With a sensitive lens and close access, directors Asia Dér and Sári Haragonics follow the two women through their long and ultimately successful adoption process to bring home their young daughter of Roma origins. But tensions begin to rise between the two as Virág thrives in her role as mother and Nóra struggles to find her place within the family. As the rising tides of hate and homophobia in Hungary begin to overflow into their family, their lives hit a boiling point and they must face the difficult decision of whether to leave their country behind.
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Based off the book of the same name, ‘The Miseducation of Cameron Post’ (2018) follows teenager Cameron Post (Chloë Grace Moretz) after she is caught being intimate with another girl and then sent away to a gay conversion camp.
Korean culture shines in this Canadian export.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
