Kyong-suk’s family has no a peaceful day: mother-in-law uncomfortable with aging, husband never contributing to the family economy, uncle who only cares about getting money out of the family, son who tried to commit suicide without adapting to military life, at last daughter of the middle school girl who rebelled against everything. There is none to help her at home. She stays in a hard routine, relying on her faith. Nonetheless, "Her Family Has No Problem" does not worry about the family that is in danger of collapsing. It does not insist on the recovery of the threatened family system. Though all of the family members are disrespectful and close to a burden that cannot be handled for Kyong-suk, there is an invisible force that keep the family from being broken up.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
It’s dark, uncomfortable, and there are things that don’t make sense.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
