In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.
Serge Bromberg, Ruxandra Medrea
Director
Romy Schneider
Odette (archive footage)
Henri-Georges Clouzot
Self (archive footage)
Serge Reggiani
Marcel (archive footage)
Bérénice Bejo
Odette
Jacques Gamblin
Marcel
Dany Carrel
Marylou (archive footage)
Jean-Claude Bercq
Martineau (archive footage)
Mario David
Julien (archive footage)
André Luguet
Duhamel (archive footage)
Barbara Sommers
Mme. Bordure (archive footage)
Maurice Teynac
M. Bordure (archive footage)
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
The latest in the lineup of Disney+ Marvel shows, Hawkeye is shaping up to be a fun Christmas-themed Avenger show that’s also really down to earth.
Marvel’s animated show What If...? ended last week, so let’s go back and look at all of the different universes shown and rank each episode from worst to best!
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
This is a list of seven films that explore police brutality and systemic racism made by Black filmmakers. These are important movies to watch and to take in, as — through the power of cinema — they showcase what it feels like to be a Black person living in a country that is internally designed to be against you.