When their city is rocked by a series of brutal occult murders, veteran detective John Locke and his young partner Terri Keyes are forced to put aside their differences and follow the trail of evidence to a formerly abandoned asylum, where the new owner Dr Unnseine is conducting his own brand of Nazi-inspired "medical research" on the unwilling inmates. One such inmate, the sexy but deadly Annie Dyer, may hold the key to the murders - and to the doorway to Hell itself - if only Locke and Keyes can stay alive long enough to discover what it is.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
Two Korean sisters must save their family after a ghost tears the family apart.
Rare in the days of franchise sequels and indie horror films that dominate the screen in 2026, Netflix’s latest original release, Remarkably Bright Creatures, is a feel-good family movie that leaves nothing to be desired except tissues. Starring Sally Field and Lewis Pullman as two cleaners at a small-town aquarium, Remarkably Bright Creatures reminds viewers that humans are social animals whose strength comes not from our intelligence or our opposable thumbs, but from each other.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'
