Musician Gabriel and dimpled dry-cleaning proprietress Gabriela live like two strangers who no longer see each other. But in humorous contrast to their staid, passionless lives, characters in a constant state of sexual arousal surround them. Their libidinous teen son, whose hilarious voiceover commentary intermittently provides important narrative information, prides himself on being the high school stud and aspires to a career in porn. Gabriela's sexy employee switches boyfriends the way she changes clothes. And despite being married, Gabriel's colleague is working his way through the female members of their orchestra. Ultimately, the two Gabys find their virtual affairs reconnect them with their own desires, but in a way less movie-fantasy and more satisfyingly real-life. Written by Palm Springs Internation Film Festival
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
Evan Goldman, a child of divorced parents, is planning a memorable bar mitzvah for his 13th birthday. However, middle school has a few obstacles along the way.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
