French film icons Gérard Depardieu and Fanny Ardant star in this romantic comedy about a Parisian couple in their fifties who share a comfortable life, a beautiful home, a posh country club and a midlife crisis. Following a dream vacation to Israel where Alain (Depardieu) explores his Jewish roots, Gisèle (Ardant) insists they change their life and move to Tel Aviv. While Gisèle, a Jewish convert, finds her new life inspiring; Alain fights to embrace Hebrew, Jewish tradition and a new circumcision. Will Alain and Gisèle learn whether Shalom represents Hello or Goodbye?
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
I like discovering something new among the old and Tubi has an assortment of horror films from cinema's past for just such an occasion.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
