Incluvie Classics: Strong Women and Gender Expression in Alfred Hitchcock's “Psycho.”
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.

It doesn't matter who you are or what you've done. Once you're inside Japan's most notorious women's prison, the only way to get out is to play the system by its own twisted rules. Crooked guards? Bribe them. Corrupt administrators? Blackmail. And when all else fails, find an outside ally with inside connections to stage an escape. But when conflicting schemes overlap and collide, everything goes up in flames and it's the inmates who will burn. One third of the way into her sentence for the possession of illegal drugs, Reika, prisoner number 48, discovers that she's up for parole. Better yet, she's gathered enough dirty laundry on the warden and his cronies that she might be able to walk free, but only as long as nothing upsets the delicate status quo. Too bad that a former lover is setting up a jailbreak at the same time, and now the ultimate fate of Reika, Saya and the other inmates hangs on the outcome.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
After the 2018 surprising hit "A Quiet Place" brought something fresh to the horror genre, the announcement of a sequel may have been disappointing to some. A lot of the time, a sequel to an already successful movie is no where near as good as the original. Yet, John Krasinski once again shows that he's much more than Jim from The Office.
Spiral could easily spawn new sequels and will most likely churn a decent profit. Is it a good Saw film? Absolutely. Could it have been revolutionary though? Also yes.
'Run This Town' takes an unflinching look at the Rob Ford scandal that shook Toronto to its core while using fictional millennials to drive a concise story .
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.