HELL HATH NO FURY is the new film from Creepy Six Films (Vampires vs. Zombies; Human Nature), an independent horror film company based in Vancouver, B.C. Hell Hath No Fury is a balls-out horror anthology that is a bloody and erotic mix of stories in the style of the horror-lit anthologies. The Hot Blood Series and comedic horror shows like Tales form the Crypt. Spiced with liberal -and very gory- doses of wicked inspiration from classic revenge films like Ms. 45, I Spit on Your Grave, Irreversible, and Last House on the Left, Creepy Six Films' Hell Hath No Fury is a funny, sexy, gory, disturbing and exciting ride into an insanely twisted world where the women scorned exact their vengeance like never before.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.
