Helena, an amateur theater actress living in Puebla, Mexico, arrives at the rehearsal of a play where she sees herself trapped between a number of parallel realities in an undefined time. Her conscience creates the illusion that she is living in the present, but the past continues and she can't remember the future.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
It's sexy, regardless of what else is going on.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
What are we willing to walk through to see our dreams come to pass? Our minds might be so wholly alive with the passions we carry and the plans we make to see these things become all we wish them to be, yet life doesn’t always want to come alongside. Instead, obstacles arise, both physical and mental, which attempt to dissuade us or even prevent us from moving forward, stalling or stagnating the momentum to achieve what we desire. The age-old question remains….can we overcome? Or will we BE overcome?
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
