The people of Ammon, a group of Lamanites, take an oath to never kill again. They rear their children with great faith. One day the wicked Ammoron threatens the peace. 2,000 young men, not bound by the covenant of their parents, are led by Helaman to defend their people. Despite their youth and inexperience these stripling warriors bravely fight because they trust their mothers’ promise that they will not be harmed.
Richard Rich
Director
Christian Lebano
Helaman (voice)
Hugh Dignon
Antipus (voice)
Phil Hubbard
Ammoron / Nephite Captain (voice)
Don Burroughs
Gid (voice)
Remi Sandri
Shemlon / Lamanite Captain / Nephite Captain (voice)
Ray Porter
Midian / Nephite Captain (voice)
John March
Simon (voice)
Brian Nissen
Pash (voice)
Joe Lynch
Lamanite Captain / Nephite Captain (voice)
This is a list of seven films that explore police brutality and systemic racism made by Black filmmakers. These are important movies to watch and to take in, as — through the power of cinema — they showcase what it feels like to be a Black person living in a country that is internally designed to be against you.
This is not McDonald’s. This is something different.
Some moments of the series are intense and ends on a cliff-hanger that will have you yearning for a second season.
Rap Sh!t has been confirmed for a second season by HBO! Go watch it and support this creative exploration of Hip-Hop culture from Issa Rae.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.