Hedda Gabler, the spoiled daughter of a general, marries the staid scholar Tesman in the hope that he will develop into an important personality. But Hedda is an eccentric woman and her expectations of life are insatiable. She has no sympathy for her husband's work and quickly becomes bored in her petty bourgeois circumstances. Then Ejlert Lövberg, a colleague of her husband's, returns to the city he left because of his dissolute lifestyle. They have known each other since those days, but Hedda feared a scandal if she had returned his passionate love. Ejlert is rehabilitated thanks to Thea, the woman at his side. But Hedda's love for him reawakens and, driven by her nature to determine the fate of other people, she drives Ejlert to disaster.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Striving for validation. Let’s be frank….we ALL want to be successful. Whatever we put our efforts into, ideally it is to make it culminate in the best possible results across the board, especially when it comes to what career path we are pursuing. We WANT to excel, to shine, to advance, to be acknowledged. AND…let’s hope that we also wish to better everyone around us to boot. However, what occurs when those whom we initially put our trust in suddenly become a burden instead of a boon? Do we falter under the weight of rejection? Or STAND UP for WHO WE ARE?
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
What happens to an inseparable bond when love for competing morphs into competing for love?
