Is She The Suitcase Killer?
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.

Arian has been living in the city for so long that he is no longer used to the country lifestyle. But the homesickness takes its toll. Our hero, along with his best friend Timur, goes to the forest to hunt. They arrive at a remote, wild place - an ancient hunting ground owned by Ariane's grandfather. There is a threat hanging over this land - the modern world with its mercantile values has reached this forest. But the friends don't know anything about it yet and are having a great time. And then a misfortune occurred. Ariane and Timur are left alone with the forest, in which, as it turned out, they are completely strangers. Our heroes find themselves in the thick of things, surrounded by enemies and unexpected friends. Will they be able to protect their grandfather's legacy and save their ancestral lands from alien, greedy hands?
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
'Call Me Kate' is for the fans. It's an intimate account of an iconic film star.
A reboot series based on the popular original Nick teen sitcom of the same name.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.