Project Hail Mary Didn’t Take Off
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.

12-year-old Riley Ann Taylor recently lost her grandfather, who died right in front of her while teaching her how to play soccer. She soon finds a portal leading to the place people talk about but never see: Heaven. She gains a miraculous healing ability and uses it to help those who are sick but soon gains the diseases these people and animals had. You know what they say, every good thing comes with a price.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Not a lot of people realize that being introverted is not always a permanent state of mind. Being considered an introvert by others is a complicated thing; not everyone likes being labelled “shy.”
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.
A trio of girls form a band and enter a singing competition together after learning they work best as a team.