'The Summer I Turned Pretty' Introduces a New Generation to a Summertime Staple
The Summer I Turned Pretty series adapts the beloved trilogy into a bingeworthy TV show and introduces a new generation to Belly, Conrad, and Jeremiah.

Tomáš Etzler worked for seven years as a foreign correspondent in China. He came to know a country that was developing at an admirably fast pace, was swayed by its energy, and for a moment believed that modernity could bring about political change as well. Before long, it dawned on him that many people would continue to be severely punished, and the regime would still keep most of the nation in a state of indecision and ignorance. Without neglecting that face of China today, Etzler chose to tell a story of hope in his personal documentary. Using the example of an orphanage for disabled children, he shows that the answer to collectivist brutality and ruthlessness can be mutual assistance, tolerance and empathy.
The Summer I Turned Pretty series adapts the beloved trilogy into a bingeworthy TV show and introduces a new generation to Belly, Conrad, and Jeremiah.
Partners in crime, Eric Andre and Lil Rel Howery road trip from Florida to NYC.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
Desi’s “straight man” to Lucy’s playful exuberance subverted people’s expectations of what a Latino man could be and added respect and nuance to the way onscreen marriages between men and women were portrayed.
An artistic approach to the impact of Billie Holiday’s “Strange Fruit”.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.