Eun-soo, a librarian watches for book vandalism that currently happens in the library. One day, she catches Jun-oh tearing off certain page of books. Eun-soo accuses him of vandalism but soon discovers the complex story behind his actions. Jun-oh’s girlfriend suddenly leaves him with only a mysterious note. “Look up page 198”. Jun-oh’s girlfriend was a bibliophile and she checked out books regularly at the library. Jun-oh goes to the library and tears out page 198 from every book he comes in touch. As Eun-soo has just broken up, she gives him an advice saying that he has to let her go if she really meant it. However, looking at Jun-oh torn apart by his love, Eun-soo starts to help him decipher the messages on page 198 of all the books .
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
