The garbage collector, in his solitude, discovers a pot in a trash can that emits a lovely sound. He falls in love with the pot and takes it home. The pot fills the man’s loneliness, but gradually, the very sound that once brought him joy begins to cause him trouble and discomfort. He decides to return the pot to its original place, but ultimately, due to the attachment he has developed, he chooses to keep it by his side.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.
A story about precarious tricks and unstoppable discipline to inspire young viewers. They'll learn that like any dream, achieving Cloud 9 is possible.
Thunder Force brings much-needed diversity to the superhero genre. Unfortunately, it's also an uninteresting and unfunny mess.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
Desi’s “straight man” to Lucy’s playful exuberance subverted people’s expectations of what a Latino man could be and added respect and nuance to the way onscreen marriages between men and women were portrayed.
