"Tow" Tells the True Story of a Woman Who Sued the System
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
He Whose Face Gives No Light
A masterclass in the art of digital cinematography thanks to the efforts of Mexican maverick Nicolás Pereda (director of Perpetuum Mobile), it's a highly unusual 'behind the scenes' record of a film-shoot in Mexico City - namely, Michel Lipkes' Malaventura. Bussmann concentrates on the elderly gents who appear in one atmospheric bar-scene, observing them between takes and interviewing them about their lives. The gently-paced results cast a steadily hypnotic, and intoxicating spell.
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A masterclass in the art of digital cinematography thanks to the efforts of Mexican maverick Nicolás Pereda (director of Perpetuum Mobile), it's a highly unusual 'behind the scenes' record of a film-shoot in Mexico City - namely, Michel Lipkes' Malaventura. Bussmann concentrates on the elderly gents who appear in one atmospheric bar-scene, observing them between takes and interviewing them about their lives. The gently-paced results cast a steadily hypnotic, and intoxicating spell.
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