Opposing the Reviews for "Horse Girl"
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.

Every campus has its own horror tales. There's an endless supply of ghost stories passed down from class to class, and three of the scariest tales will be told this time.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
This movie will always resonate with queer people, for as long as queer people exist.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.