"Mercy" is a Pro-AI Sci-Fi Thriller that Barely Makes Sense
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.

Hendri and Nurul are siblings who reluctantly return to their hometown after years of avoiding it due to painful childhood memories. Their father, Mardi, is in critical condition and soon passes away. Struggling with financial difficulties, they work hard to revive their late father's legendary restaurant business, despite opposition from their extended family. However, as they push forward, a series of terrifying pocong hauntings threaten their lives, leading them to uncover dark secrets about their family's past.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.