A Survivor's Story: Breaking Down the Season 4 Finale of ‘Handmaid’s Tale’
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.

Naaji, a young afghan boy, hides with his mother inside a moving water truck, trying to cross a border station. But they get caught by the border patrol.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.