Harm means deliberate self-injuring in our poetic documentary, which follows three brave and emotionally capturing characters who are ready to unfold their unsettled past with the risk of discovering something painful on the way.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
A trio of girls form a band and enter a singing competition together after learning they work best as a team.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
