An unexpected encounter between Mariam Sophia, played by Intan Ladyana, and Yusoff Farhan, played by Azlee Khairi, has kindled love between them. However, the appearance of Firhad (Gambit Saifullah), Farhan's younger brother, has caused discomfort to Mariam because Firhad is actually Mariam's former lover. But to avoid arousing Farhan's suspicion, Mariam has been honest about her past and eventually they got married. It begins when Farhan goes to Palu, Indonesia to aid earthquake victims without telling Mariam the real reason. He has left Mariam, who is pregnant, without his knowledge. During her husband's absence, many things have happened to Mariam that have caused her suffering. And more heartbreaking is when Farhan returns in a condition where he does not remember who Mariam is by his side.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.
This Japanese Anime movie is about Kanna, a young girl who sets on a quest across Japan to discover her true identity.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
