How My Octopus Teacher Depicts Healthy Masculinity
In My Octopus Teacher, documentary filmmaker Craig Foster models healthy masculinity by showing us a trusting, gentle, and emotionally fulfilling bond with an octopus.

After restaurant owner Chang dies, the whole town of Obdam is in deep mourning for 'their Chinese'. The always loyal Yung Ling (34) is forced to keep the struggling Chinese Indian restaurant Happy Palace running with her brother Lok Man (32), an artist and the most eccentric of the family. Unresolved feelings are getting in the way of cooperation, but their pragmatic mother Suk Wai (56) sees an opportunity to unite the shattered family.
In My Octopus Teacher, documentary filmmaker Craig Foster models healthy masculinity by showing us a trusting, gentle, and emotionally fulfilling bond with an octopus.
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. The film 'Shrek' can be interpreted as a transgender story.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
A direct fall into the white savior narrative