Inuit Girls Hunt Alien Monsters in ‘Slash/Back’
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.

Rich bachelor B.G. Bruno, the head of a successful greeting-card company in Scotland, is essentially a kind man but respectable to the point of stodginess and extreme stuffiness. An American troupe visiting Edinburgh wants to produce a musical in town but has trouble getting financiers. Bruno meets several leading ladies; through a misunderstanding, he doesn't correct their impression that he's a newspaper reporter.
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
For many people, Disney+’s debut show, The Mandalorian, was a breath of fresh air for the Star Wars universe. The Disney Gallery shows audiences how that show came to be.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.
John Walker is named the new Captain America and The Flagsmashers run amok.