
Michael is a guitarist in a night club, but his indulgence in gambling costs him his job. He is kicked out of the band. Wandering in an alley, he accidentally overhears a gang of drug dealers plotting. He is caught as he tries to get away. Michael seeks the help of his roommate, Roger who is the manager of a girls band preparing to go on a performing tour to Thailand. Roger takes Michael as a band member so that he can get away. While in Thailand, Michael falls in love with the leading female singer of the band. He tries all sorts of ways to gain her attention and love, while keeping one jump ahead of pursuing gangsters...
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
A summary of the films featured in this annual event taking place in Westchester.
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.