Happy Birthday, or Incognito
The character of “Die Fledermaus”, Count Eisenstein, is quietly aging on his family estate. Every year he celebrates the birthday of Johann Strauss with great pomp. This time a luxurious ball will be given in honor of the great composer. Rumors are spreading that the great maestro himself will appear here, but incognito.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
The character of “Die Fledermaus”, Count Eisenstein, is quietly aging on his family estate. Every year he celebrates the birthday of Johann Strauss with great pomp. This time a luxurious ball will be given in honor of the great composer. Rumors are spreading that the great maestro himself will appear here, but incognito.
Rating:
Genre:Comedy, Music
Written By:Viktor Billevich
In Theaters:
Box Office:
Runtime:51 minutes
Studio:Lentelefilm
Articles You May Like
'Black Adam': Superhero Action, but Weak Story Shazam
The 'Black Adam' story is a blander copy of 'The Mummy', 'Moon Knight', and other Egyptian films made by Hollywood, taking place in the fictional Middle Eastern Kahndaq.
'Better Nate Than Ever' takes to Broadway
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
All the MCU Live-Action 'Spider-Man' Movies Ranked by Their Most Awesome Scenes, and Not-So-Awesome Scenes
The highly anticipated 'Spider-Man: No Way Home' has been released in theaters and now it's time to rank all the previous MCU 'Spider-Man' films from Tobey Maguire to Tom Holland based on their awesomeness.
Someone Tell Scarface That Cuba Is Not In Italy
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
"20/20’s: Sole Survivor” is the Imperfectest True Crime Show to Fall Asleep To
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.