Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Hantu Bonceng 2.0 poster

Hantu Bonceng 2.0 

Amran, Kunyit and Mat Motor goes on a getaway with their girlfriends to Fraser's Hill but is stalled when one of their member's bike breaks down. They are approached by mysterious local girl Ayu, who directs them to a creepy hotel to stay for the night. There, they encounter apparations and nightmar
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Amran, Kunyit and Mat Motor goes on a getaway with their girlfriends to Fraser's Hill but is stalled when one of their member's bike breaks down. They are approached by mysterious local girl Ayu, who directs them to a creepy hotel to stay for the night. There, they encounter apparations and nightmar

Rating:
Genre:Comedy, Horror, Mystery
Directed By:Yusry Abdul Halim
Written By:Amin Shakib
In Theaters:
Box Office:

Runtime:102 minutes
Studio:EXCELLENT PICTURES SDN BHD

Articles You May Like


Stop Whatever You’re Doing and Go Watch 'Two Distant Strangers'

Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment,  he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.

Andrea Amoroso

"The Roses" (2025) Film Review-Marital dysfunction offers plenty of hubris AND humor this time around

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Kirk Fernwood