“Spider-Man: Brand New Day” Isn’t Very New
This is a film that is going to leave some people bored, and some people thrilled.

German director Gordian Maugg creates this curious documentary/reenactment of the life of Hans Warn, adventuring sailor-turned-photographer. Born in Bremen in 1899, the young Hans signs on to the good ship Herbert in 1914, but not before he persuades his mother to buy him a camera. What starts as a hobby soon develops into a passion. Soon Hans is documenting his life on the high seas and his ship's six-month capture during World War I. Later, Hans marries the girl next door, Wilma, but their family life is sporadic because of his seafaring career. Maugg uses a wide palette of cinematic tricks and devices to recall the early years of the century, including sepia tinting, decorative intertitles, distressed footage, and other idioms of early silent documentaries.
This is a film that is going to leave some people bored, and some people thrilled.
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
Welcome to a special episode of the Incluvie Movie Highlights. This summer we held the Incluvie Short Film Festival. The film festival discovers and brings to light some outstanding short films starring main characters from diverse backgrounds, who are often overlooked in Hollywood. The filmmakers and actors from the 3 winning films came in and talked about their process and what it was like to make the film.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.