Where The Tracks End in Mexico
This coming-of-age Mexican movie is about a group of school children who fulfill their dreams.

Vinz is in the middle of his A-levels and thus in the early stages of a new phase in his life, which presents him with major challenges. As the top scorer at Phoenix Hagen, the success of the upcoming final game is in his hands. He has what it takes to become a professional basketball player and his brother Georg, who is twelve years older, can't imagine anything better for Vinz's life. After all, his own basketball career failed ten years ago after the tragic death of his parents due to the stresses and strains of his private life. Now Vinz is supposed to make up for what Georg was denied back then. But does Vinz even want to? He has been secretly applying for a scholarship in the USA for months, although the idea of leaving his two old friends Samy and Ali behind is difficult for him. When Vinz falls in love with Kathi, he is even less sure of his own plans. The final match for promotion to the 1st Bundesliga will not only decide the future of Phoenix Hagen.
This coming-of-age Mexican movie is about a group of school children who fulfill their dreams.
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.
The series follows Mark Naird (Carell), a four star general who has been appointed to run the newly created Space Force
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
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