'The Dinner Party' — MiamisFF Review
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.

Discovered at age nine and a celebrated composer by age eighteen, George Frideric Handel experienced a meteoric rise to success, with forty-two operas performed on three continents in his lifetime. As enduring as Handel's operatic work is, the prodigious German genius is best known for his oratorio Messiah. Now you can learn in poignant detail how Handel's magnum opus came to be.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.