Two Sixth-Graders are Drifting Home
A Japanese anime movie that brings survival, adventure, and friendship to the big screen.
Hana Yori Dango: The Movie (2016)
Set in an alternative timeline to the manga and animated TV series, the movie features a classic Cinderella story told through the medium of '80s dance. Tsukushi Makino is a trainee dancer in a New York Performance group, struggling to become the star of the show with the help of Rui Hanazawa and Tsukasa Dōmyōji.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Set in an alternative timeline to the manga and animated TV series, the movie features a classic Cinderella story told through the medium of '80s dance. Tsukushi Makino is a trainee dancer in a New York Performance group, struggling to become the star of the show with the help of Rui Hanazawa and Tsukasa Dōmyōji.
Rating:
Genre:Animation, Comedy, Drama, Romance
Written By:Yumi Kageyama
In Theaters:10/25/2016
Box Office:
Runtime:30 minutes
Studio:Toei Animation
Articles You May Like
It’s a bird, it’s a plane…it’s "Harriet"!
This is not a story of oppression but a story of liberation.
'Don't Breathe 2,' the Horror Sequel That Offers a Rapist an Undeserving Redemption Arc
'Don't Breathe 2' is a sequel that forgoes almost everything that made its predecessor good, and asks audiences to root for a rapist on top of that.
Star Wars: The Empire Strikes Back is Better Than Ever 40 Years Later
In 1977, Star Wars changed the world. It took the universe by storm, completely redefining everything everyone knew about movies. But then, in 1980, The Empire Strikes Back changed Star Wars. Sequels were not as well regarded back then as they are today.
Louis Theroux Takes Us "Inside the Manosphere" and It's Even Scarier Than You Expect
Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.
'Lady Chatterley’s Lover' is Inclusive of all Gender Perspectives
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.