Working at a transgender bar, Min-a is a female with male genitals. When her colleague is assaulted by a male customer, she steps in to help, only to accidentally kill the assaulter. At the court, Min-a insists that she had no choice ? she had to protect her colleague - but the situation is not favorable to her. Taking advantage of her sexual identity, the prosecutor drives the case as if the murder were a result out of jealousy, and Min-a’s own lawyer does not pay attention to her situation. Not until Min-a is placed in a men’s jail and is seized with terror do the human rights issues for transgender people emerge. Min-a is finally transferred to a prison for females, but still she suffers from misunderstanding. Presenting the transgender human rights issues as a court drama, this film tries to correct the myriad misunderstandings toward transgender people.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
An animated short film that never gets old, especially with iconic characters from the Disney series.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
Falling in love with 'Rocketman" all over again.
This coming-of-age Mexican movie is about a group of school children who fulfill their dreams.
