Haley and Joanna (2018)

The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.

The second film takes us on Peter's journey to be understood.

Two young girls meet in the same neighborhood unexpectedly as they embark on a new adventure using their imaginations as this movie brings strong representation among women.

Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.

The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.