‘Little Woods’ Review: A Powerful New Take on the Western Genre
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.

In the 50 years since he carved his first totem pole, Robert Davidson has come to be regarded as one of the world’s foremost modern artists. Charles Wilkinson (Haida Gwaii: On the Edge of the World) brings his trademark inquisitiveness and craftsmanship to this revealing portrait of an unassuming living legend. Weaving together engaging interviews with the artist, his offspring, and a host of admirers, Haida Modern extols the sweeping impact of both Davidson’s artwork and the legions it’s inspired.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
Of all the many great people that have contributed to Hip-Hop and radio, I was fortunate enough to speak with James Rosseau, founder of The Corelink Solution, a nonprofit that owns and operates Holy Culture Radio.
As a frequent “the book was better” extoller, this movie was well worth the watch.
In 1971, when discussions about how to integrate their school system break down, the community of Durham, North Carolina agrees to bring in Bill Riddick(Babou Ceesay) to conduct a series of summits(charrettes) to help them move forward with desegregation.
This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.
This holiday movie serves as the prequel to the TV series The Really Loud House.