Dug is the Real Hero of Disney/Pixar’s “Up”
"Up" features one of Pixar's few Asian-American heroes and explores the institutionalized hardships elderly people face. Also, Dug is a good boy.

Manchester, the present. Michael divides his time between the job center and the pub. A chance meeting with Lee, an introduction to her Uncle Ian and a heavy night on the lash lead to a job working the door at a Northern Quarter massage parlor. After witnessing the violent death of one of the punters, Michael experiences blood-drenched flashbacks and feels himself being sucked into a twilight world that he doesn't understand but that is irresistibly attractive. When he eventually finds out what goes on in the room below Cloud 9, Michaels' life will never be the same again.
"Up" features one of Pixar's few Asian-American heroes and explores the institutionalized hardships elderly people face. Also, Dug is a good boy.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
There is no aspect of this film that falls short, except perhaps in minor ways.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.