Yara (2021): An Unfocused True Crime Narrative
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.

The story of a young Belgian actor of Moroccan origin who agrees to play the role of Saint-François-d'Assise to put an end to the roles of nice Arabs that are stuck on his forehead in often mediocre films. Getting into the historical figure will represent a real challenge for him; when his father, settled in Morocco, suddenly returns to Brussels with a new wife, and the beginnings of Alzheimer's, he finds himself having to juggle between the expectations of his colleagues and his family.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
This fantasy movie released on Disney+ has strong topics and themes related to magic.