Luz de 'Cuatro Lunas'
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.

After losing her father at sea, young Marisol leaves Cádiz for Madrid, stepping into a household unraveling under the vanity of her aunt Leonor and the chaos of her spoiled cousins. With Javier facing jail, Churri chasing suitors, Jorge skipping studies, and little Pili lost in cinema dreams, Marisol takes it upon herself to restore order. Armed with grit, a loyal maid, and a friend from the train, she battles dysfunction and deception—earning Leonor’s scorn but fighting for a family worth saving.
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.