We Don’t Need Another Hero: The Bonkers Post-Apocalypse of “Beyond Thunderdome”
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.

A female hair stylist is torn between two lovers as she waits for treatment in a gynecological ward. She meets the other patients who are there and gets to know their stories.
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.